FAQs
Pricing & Budget
How much does video production cost?
The cost varies significantly based on the project's scope, ranging from simple social media clips to complex broadcast commercials. Key factors influencing the price include the type of equipment required, the number of cameras, the need for professional talent and / or additional crew), location scouting, and the depth of post-production editing. A detailed breakdown usually involves pre-production planning, production, and post-production phases.
Sometimes I work on a daily rate as a DoP / camera operator / videographer, and I take into account my labour costs and kit on top. I charge extra when Directing is needed.
I also work with projects fees, where I require a budget that covers the whole production process. Similar to a production company, I am capable of managing end-to-end productions.
I try to maintain a flexible and competitive rate. So get in touch, tell me what you need, and I'll give you a simple quote.
Timeline & Process
How long does it take to make a video?
The timeline depends on the complexity of the project. While the actual filming might take only one or two days, the pre-production (planning, storyboarding, casting) and post-production (editing, color grading, sound design) phases often take much longer. A standard corporate video might take 2–4 weeks from concept to final delivery, whereas high-end commercials can take months.
Although there's plenty of examples where I've had to turn something around that same week...
What is the video production process?
The process typically follows three main stages:
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Pre-Production: Defining aims, scripting, storyboarding, casting, and location scouting.
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Production: The actual filming day(s), involving the crew, talent, and equipment.
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Post-Production: Editing footage, adding visual effects, sound mixing, colour correction, and client revisions. Most projects go through 3–4 rounds of revisions before final approval.
Do you travel for shoots?
Yes!
I regularly travel locally and internationally. There's always a judgement call with how much kit we travel with. Sometimes it's cheaper to hire locally than to pay baggage fees. Between the UK & Netherlands I have kit in both countries which reduces the load.
Do I need to have a script or storyboard ready?
No, you do not need to have a vision fully formed. I can help you brainstorm concepts, write scripts, and create storyboards based on your brand goals and target audience. If you do have a storyboard, the team and I can work directly from your specifications to bring it to life.
Can you source additional crew?
I work with lots of talented crew in various roles. Each project is different and I can't always do everything myself. So I surround myself with an amazing team whenever possible
Technical & Deliverables
What camera and equipment do you use?
In-house I work with high-end professional cameras such as the Sony Fx6 & Sony Fx3. I also have a lot of experience shooting with Alexa, Red & Canon camera systems.
I have Sony G Master Zooms for day-to-day shooting. As well as DZO Vespid Cine Primes to those more composed shoots.
I also have my own lighting & rigging package, everything you'd need to light a space or a nice looking interview.
On top of this I have a gimbal, Easyrig & shoulder mount.
See dedicated page HERE
Do you edit the videos in-house?
Yes, for the most part I edit my own content.
However I also work purely as a shooter, and regularly hand over the footage to the collaborating production company / director to edit themselves.
On bigger projects I might choose to collaborate with external specialists for projects requiring niche effects or animation.
Rights & Usage
Do I own the rights to the video?
In most standard agreements, once the final payment is made, the client owns the full rights to the final video. I reserve the right to share and use the content in my portfolio once the film has been made public.
Can I get all the raw files?
I can provide raw footage upon request, though some may charge an additional fee for organizing and transferring large data files. It is best to discuss this requirement before the project begins.
Hardrives & long term storage
I usually request the client source their own hardrive if they want to store the footage for future use. Once I have edited the final content I don't hold onto footage in my own drives after 6 months, unless otherwise agreed.
How do you source music for the videos?
I typically use royalty-free music libraries to save time and budget while ensuring legal compliance. For high-budget projects requiring a unique sound, I can commission custom music from professional composers.